As 2016 draws to a close (FINALLY!!!!), both Zoe and I have a huge backlog with horrible (or missed!) deadlines to sort through. Small Brown Birds is nearly done (and overdue…ish). Zoe is in the studio (again) today to try to sort out some last issues. Most of these are pure engineering, that is, dealing with the mixing.
For those of you who’ve never recorded, it’s more like making a movie than you’d expect. The performers generally come in and do their bit a billion times against various scratch (or real) tracks (sometimes just a click track!!). One startling thing for me is how even really excellent musicians who can handle the roughest of performance situations with aplomb just fall apart in the studio. Studio performing is really different. Conversely, good studio musicians are amazing. They will come in and knock it out in no time flat. Over the past five albums I’ve grown increasingly convinced that professional studio musicians are the way to go. Even people who record a lot of their own stuff often and well have trouble with being a session musician.
(The classic Doonesbury sequence about the recording of Ginny’s song is spot on. You want a Jay “Wah Wah” Graydon there going “You mean, like, something in an F?”)
Anyway! Lots of good stuff going on even if I did spend my Saturday and part of Sunday tracking down wind chimes. The songs are sounding really good and getting better. Alas, some things do end up on the cutting room floor for a variety of reasons (e.g., you just can’t get the recording you want). It seems like “My Neighbors Are In Love” will have to wait for a future album. But I will taunt you with it anyway!